AN OPEN COLLECTION THESE RECORDS CAME FROM
The Cleveland Museum of Art
Cleveland, Ohio
Cleveland's open-access API let the museum itself filter by date, so every record here was returned as falling inside the biblical period. Most of its photographs are of objects from elsewhere in the ancient world, and the page says which are which.
2,377
records held
32
listed on this page
12
openly licensed photographs
matched to our catalogue
2,377 records are held for this collection and 32 are listed here — the ones its own records tie to something biblical, audited first. The rest are in the research corpus, not on this page.
THE OBJECTS
What we hold for this collection.
Jar with Horn-Shaped Handles
100s CE · Korea, Three Kingdoms period (57 BCE–668 CE) · earthenware with impressed surface designs
The Cleveland Museum of Art. John L. Severance Fund CC0
Although the function of this earthenware vessel remains unknown, its low-fired red surface indicates the various steps in its fabrication. First, coils of clay were layered on top of one another and pinched together to form the wall of the pot. Then wood mallets with carved surfaces pounded these walls simultaneously, inside and out, merging and thinning the clay bands. Thus the impressed designs visible on both…
DATE
100s CE
CULTURE
Korea, Three Kingdoms period (57 BCE–668 CE)
PERIOD
Korean Art
MEDIUM
earthenware with impressed surface designs
DIMENSIONS
Overall: 25.9 cm (10 3/16 in.)
MUSEUM NUMBER
1997.186
RECORDED HOLDER
The Cleveland Museum of Art
RELATED ROW · BA-047
Our archaeology catalogue has a row for LMLK jar handles, which shares a name with this record. This object is not that one, so that row's conclusions are not repeated here.
Shares a name with a row of this project's archaeology catalogue — a name match, not the same object
Aureus: Bust of Claudius I (obverse)
47–48 CE · England, Roman, Claudius I (41–54 CE) · gold
The Cleveland Museum of Art. The Norweb Collection CC0
Aureus: Bust of Claudius I (obverse), 47–48 CE. England, Roman, Claudius I (41–54 CE). Gold; diameter: 1.9 cm (3/4 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.158.a
DATE
47–48 CE
CULTURE
England, Roman, Claudius I (41–54 CE)
PERIOD
Medieval Art
MEDIUM
gold
DIMENSIONS
Diameter: 1.9 cm (3/4 in.)
MUSEUM NUMBER
1969.158.a
RECORDED HOLDER
The Cleveland Museum of Art
The museum's own record names a biblical person or place
Named in the record: claudius
Aureus: Bust of Claudius I (obverse); Triumphal Arch with Equestrian Statue and Trophies (reverse)
47–48 CE · England, Roman, Claudius I (41–54 CE) · gold
The Cleveland Museum of Art. The Norweb Collection CC0
Minted in Rome, this coin depicts the triumphal arch erected there in 44 AD commemorating Claudius in the campaign in Britain. On top of the arch is the emperor seated on a horse between two military trophies. The arch itself was a converted aqueduct which crossed the main road leading north toward Rome. Claudius was the youngest of the three surviving children of Drusus and Antonia Minor and the first Roman emperor…
DATE
47–48 CE
CULTURE
England, Roman, Claudius I (41–54 CE)
PERIOD
Medieval Art
MEDIUM
gold
DIMENSIONS
Diameter: 1.9 cm (3/4 in.)
MUSEUM NUMBER
1969.158
RECORDED HOLDER
The Cleveland Museum of Art
The museum's own record names a biblical person or place
Named in the record: claudius · rome
Aureus: Triumphal Arch with Equestrian Statue and Trophies (reverse)
47–48 CE · England, Roman, Claudius I (41–54 CE) · gold
The Cleveland Museum of Art. The Norweb Collection CC0
Aureus: Triumphal Arch with Equestrian Statue and Trophies (reverse), 47–48 CE. England, Roman, Claudius I (41–54 CE). Gold; diameter: 1.9 cm (3/4 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.158.b
DATE
47–48 CE
CULTURE
England, Roman, Claudius I (41–54 CE)
PERIOD
Medieval Art
MEDIUM
gold
DIMENSIONS
Diameter: 1.9 cm (3/4 in.)
MUSEUM NUMBER
1969.158.b
RECORDED HOLDER
The Cleveland Museum of Art
The museum's own record names a biblical person or place
Named in the record: claudius
Cameo: Head of a Woman
1–100 CE · Italy, Roman · amethyst
The Cleveland Museum of Art. Bequest of Leonard C. Hanna Jr. CC0
This carved amethyst cameo depicts a woman wearing a laurel wreath and a <em>palla</em>, a cloak worn by Roman noblewomen. The palla is tucked behind the woman’s ears and is visible over her right shoulder. She may have been a member of the Julio-Claudian imperial family or a wealthy private individual. In her hairstyle, straight nose, and small but full mouth the woman closely resembles portrait cameos identified…
DATE
1–100 CE
CULTURE
Italy, Roman
PERIOD
Greek and Roman Art
MEDIUM
amethyst
DIMENSIONS
Overall: 4.6 cm (1 13/16 in.)
MUSEUM NUMBER
1958.92
RECORDED HOLDER
The Cleveland Museum of Art
The museum's own record names a biblical person or place
Named in the record: augustus · claudius · rome
Cameo: Julio-Claudian Imperial Portrait
30 BCE–54 CE · Italy, Rome, Early Imperial period · travertine
The Cleveland Museum of Art. John L. Severance Fund CC0
This fragment of a cameo depicts a man wearing a laurel crown and facing right. Roman cameo gems were made by carving through layers of banded semiprecious stones to create an image, here a portrait in off-white with a tan background. Scholars have identified this portrait as various members of the Julio-Claudian imperial family based on the laurel crown and style of the portrait. <br><br>The close-cropped wavy…
DATE
30 BCE–54 CE
CULTURE
Italy, Rome, Early Imperial period
PERIOD
Greek and Roman Art
MEDIUM
travertine
DIMENSIONS
Overall: 4.6 x 6.4 cm (1 13/16 x 2 1/2 in.)
MUSEUM NUMBER
1991.154
RECORDED HOLDER
The Cleveland Museum of Art
The museum's own record names a biblical person or place
Named in the record: augustus · claudius · nero · tiberius · rome
Decorative Plaque: Browsing Stag
900–800 BCE · Phoenicia, Iraq, Nimrud · ivory
The Cleveland Museum of Art. Purchase from the J. H. Wade Fund CC0
This small plaque was executed in the Phoenician style with symmetrical compositions, elongated figural proportions, and Egyptian subjects and motifs. Examples have been found throughout the Middle East, but thousands come from Nimrud where most were excavated in the storerooms of a military arsenal built by King Shalmaneser II (858-824 bc). When the Nimrud palace was sacked in the 7th century bc, these ivories were…
DATE
900–800 BCE
CULTURE
Phoenicia, Iraq, Nimrud
PERIOD
Egyptian and Ancient Near Eastern Art
MEDIUM
ivory
DIMENSIONS
Overall: 4.5 x 8.9 cm (1 3/4 x 3 1/2 in.)
MUSEUM NUMBER
1968.49
RECORDED HOLDER
The Cleveland Museum of Art
The museum's own record names a biblical person or place
Named in the record: shalmaneser · nimrud
Decorative Plaque: Cow Nursing Its Calf
900–800 BCE · Phoenicia, Iraq, Nimrud · ivory
The Cleveland Museum of Art. Purchase from the J. H. Wade Fund CC0
This small plaque was executed in the Phoenician style with symmetrical compositions, elongated figural proportions, and Egyptian subjects and motifs. Examples have been found throughout the Middle East, but thousands come from Nimrud where most were excavated in the storerooms of a military arsenal built by King Shalmaneser II (858-824 bc). When the Nimrud palace was sacked in the 7th century bc, these ivories were…
DATE
900–800 BCE
CULTURE
Phoenicia, Iraq, Nimrud
PERIOD
Egyptian and Ancient Near Eastern Art
MEDIUM
ivory
DIMENSIONS
Overall: 4.6 x 12.4 cm (1 13/16 x 4 7/8 in.)
MUSEUM NUMBER
1968.48
RECORDED HOLDER
The Cleveland Museum of Art
The museum's own record names a biblical person or place
Named in the record: shalmaneser · nimrud
Decorative Plaque: Man; and Griffin in Combat
900–800 BCE · Phoenicia, Iraq, Nimrud · ivory
The Cleveland Museum of Art. Purchase from the J. H. Wade Fund CC0
This small plaque was executed in the Phoenician style with symmetrical compositions, elongated figural proportions, and Egyptian subjects and motifs. Examples have been found throughout the Middle East, but thousands come from Nimrud where most were excavated in the storerooms of a military arsenal built by King Shalmaneser II (858-824 bc). When the Nimrud palace was sacked in the 7th century bc, these ivories were…
DATE
900–800 BCE
CULTURE
Phoenicia, Iraq, Nimrud
PERIOD
Egyptian and Ancient Near Eastern Art
MEDIUM
ivory
DIMENSIONS
Overall: 6.5 x 3.9 cm (2 9/16 x 1 9/16 in.)
MUSEUM NUMBER
1968.45
RECORDED HOLDER
The Cleveland Museum of Art
The museum's own record names a biblical person or place
Named in the record: shalmaneser · nimrud
Decorative Plaque: Ram-Headed Sphinxes Flanking a Sacred Tree
900–800 BCE · Phoenicia, Iraq, Nimrud · ivory
The Cleveland Museum of Art. Purchase from the J. H. Wade Fund CC0
This small plaque was executed in the Phoenician style with symmetrical compositions, elongated figural proportions, and Egyptian subjects and motifs. Examples have been found throughout the Middle East, but thousands come from Nimrud where most were excavated in the storerooms of a military arsenal built by King Shalmaneser II (858-824 bc). When the Nimrud palace was sacked in the 7th century bc, these ivories were…
DATE
900–800 BCE
CULTURE
Phoenicia, Iraq, Nimrud
PERIOD
Egyptian and Ancient Near Eastern Art
MEDIUM
ivory
DIMENSIONS
Overall: 15.1 x 9 x 1.1 cm (5 15/16 x 3 9/16 x 7/16 in.)
MUSEUM NUMBER
1968.47
RECORDED HOLDER
The Cleveland Museum of Art
The museum's own record names a biblical person or place
Named in the record: shalmaneser · nimrud
Decorative Plaque: Winged Sphinx
900–800 BCE · Phoenicia, Iraq, Nimrud · ivory
The Cleveland Museum of Art. Purchase from the J. H. Wade Fund CC0
This small plaque was executed in the Phoenician style with symmetrical compositions, elongated figural proportions, and Egyptian subjects and motifs. Examples have been found throughout the Middle East, but thousands come from Nimrud where most were excavated in the storerooms of a military arsenal built by King Shalmaneser II (858-824 bc). When the Nimrud palace was sacked in the 7th century bc, these ivories were…
DATE
900–800 BCE
CULTURE
Phoenicia, Iraq, Nimrud
PERIOD
Egyptian and Ancient Near Eastern Art
MEDIUM
ivory
DIMENSIONS
Overall: 16.1 x 5.5 x 1.1 cm (6 5/16 x 2 3/16 x 7/16 in.)
MUSEUM NUMBER
1968.46
RECORDED HOLDER
The Cleveland Museum of Art
The museum's own record names a biblical person or place
Named in the record: shalmaneser · nimrud
Dubnovellaunos Stater: Wreath and Crescents (obverse); Horse with Branch (reverse)
20 BCE–10 CE · England, Trinovantes · gold
The Cleveland Museum of Art. The Norweb Collection CC0
Dubnovellaunus was the king of the area around Kent. He was a warlike ruler and at various times possessed territory on both sides of the Thames. He may have succeeded Addedomaros by conquest and ruled over the Trinovantes. He undoubtedly suffered defeat at the hands of Cunobeline of the Catuvellauni and was forced back to Kent. He was one of the British chieftains mentioned with Tincommius on the monument to…
DATE
20 BCE–10 CE
CULTURE
England, Trinovantes
PERIOD
Medieval Art
MEDIUM
gold
DIMENSIONS
Diameter: 1.8 cm (11/16 in.)
MUSEUM NUMBER
1969.148
RECORDED HOLDER
The Cleveland Museum of Art
The museum's own record names a biblical person or place
Named in the record: augustus
Records and photographs are the museums' and archives' own, used under the licences each one states. A record here is a record, not an endorsement of any reading of the object.
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